How you can be a GREAT DJ

 

Learning to dj can be a hard things to do. The first thing you need is to have passion for the music if you do not have passion then your will not have the drive to succeed. You have have some music ability like being able to count bars, listing for notes and understand being in key. Especially when you are mixing live music you want to be able to mix in key properly.

when people think about dj’s they think it’s all glamours, well let me tell you it is not. To be a top DJ and stay there you really need to work hard and make lots of music, top dj’s like to sue music software these days and the best beat making software to use for this is DR drum. Most top dj’s in the world use this to put there beats together.

If you want to go old school it is still plenty of room in clubs and parties for dj’s who love mixing beats together with vinyl records, the sound is amazing and it just gives thats cool old skool feeling.

 

 

 

AOL toolbar Removal – How to Remove All Traces of AOL toolbar?

AOL toolbar Removal – How to Remove All Traces of AOL toolbar?

When you scan your computer with AOL toolbar, it can find many threats in time and remove them from your computer. But sometimes, you may feel that is not helpful for your computer, and you want to remove this AOL toolbar. However, for some reason, you can not get rid of this tough AOL toolbar possibly because it is corrupted, it doesn’t matter; you could uninstall AOL toolbar with the following methods.

Method 1 Uninstall AOL toolbar with its built-in uninstaller tool

Step 1 Open Windows Start Menu, Click “All programs” and find the AOL toolbar Directory.

Step 2 Not long, it will show you a window to ask you whether you plan to use AOL toolbar in the future. If you do not want to use it any more, Choose the below one please.

Step 3 Select the removal mode and then you will uninstall AOL toolbar from your computer.

Method 2 Uninstall AOL toolbar through Windows “add/remove programs list”

You can also uninstall and remove AOL toolbar in the add/remove programs list entering from the Control Panel.

1. Close all programs.

2. Click Start, and then click Control Panel.

3. Click Add or Remove Programs.

4. In the list of currently installed programs, click AOL toolbar, and then click Remove to remove AOL toolbar.

5. Follow the instructions to uninstall AOL toolbar.

6. When the uninstall program is finished, restart your computer.

However, you can be failed to uninstall AOL toolbar with both these methods above, as the AOL toolbar had been improperly installed or many remnants of the installation settings and related registry entries still remain. Those connected directions may do harm to your computer if you leave them unresolved.

Computer experts can try to find out those files and remove them manually, but if the wrong registry entries have been removed, it will cause very serious problem to your computer such as crash, blue screen of death and being unbootable. So no matter you are a computer geek or a green hand in operating the computer, then you both need one uninstall tool that can completely uninstall AOL toolbar in a safer and easier way.

Method 3 Best Uninstall Tool can remove AOL toolbar completely in a minute

There is actually a fantastic removal tool that can help you remove AOL toolbar completely with great success and make sure all the now-defunct Registry entries and related files are eliminated automatically with a few clicks.

1. Free Download the Best Uninstall Tool.

2. Launch it after finishing the installation.

3. Choose the AOL toolbar or any other unwanted program.

4. Click “Uninstall” to get AOL toolbar removed

That is all about how to uninstall AOL toolbar.

 

Free download Best Uninstall Tool here at http://www.uninstallhelp.com/ to help you fully remove any programs with great success and make sure all the now-defunct Registry entries and related files are eliminated automatically with a few clicks. Aside from this software, it can also completely remove other programs like Authentium, Norton, Trend Micro antivirus, Internet Explorer, Microsoft Office, and similar programs.

News In Music

News In Music
Several awards, competitions festivals see many new releases that are in some way to cheer the bad season looming. As for the music there are many new discs out that surely warm their cold winter days. New attractions but also many unexpected and welcome return, so numerous that sometimes you need to rely on websites, magazines or blogs and documented specific music always updated on new releases and initiatives that go into being.

There are three main expected returns: Take That, Skunk Anansie and All Saints, three return marking the reunion of three historical groups that have marked, albeit in three completely different ways, the history of music of the 90s.

Take That, boy band born in the first half of the 90s that sold 35 million records worldwide, after album which lacked the presence of the historic member Robbie Williams, the only one of five have had a global success as a soloist, will return with an album.Announced in the spring of 2010 the return of Williams’s new album does not have a firm date for release during autumn 2010 but certainly we listen to new tracks and in the spring of 2011 to attend the concert as it is in anticipation of a world tour promotion thereof.

Skunk Anansie, core group of the 90s rock scene, after several solo albums of frontwoman Skin has returned to record an album that blend alternative rock and personality of the typical British band. Anticipated by the single “My ugly boy”, passed by all Italian radio also, the new album due out September 21, 2010 will be entitled “Wonderlustre. They too will accompany the album release with a world tour that will present the new work and resurface the original lineup in all its grit and passion.

Is rather unexpected and almost unexpected return with a Greatest Hits of All Saints. Girl group in the wake of the success of the Spice Girls, this group of English singers had been able to win a special place in pop soul scene in the late ’90s when he announced, following internal misunderstandings, the melting peak of their success. After several solo attempts as the four band members have announced a reunion album for release next September 20th which will be titled “Pure Shores: The Very Best of All Saints.”

There are also numerous other musical outlets both in the rock scene in that global and national pop like Phil Collins, Lady Gaga and its highly anticipated “Born This Way”, the Kings of Leon and David Guetta. Do is keep up with the media and choose among the various proposals, one that attracts us and interests us most.

By Martina Celegato

with support of Musicavideoblog.it

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album

tourPrima Posizione srl

Scrittura testi

Used with permission

French Music

French Music
France has always been known for its taste in fine arts, especially in theatre and music. Since the days of the French intellectual revolution, music has become an integral part of the culture of France. Movies of that period were quite musical and that great tradition has been carried on till today.

Music in France the origin and Influence

Music in France has very interesting history. It has even been influenced by aboriginal music and sounds as well! Sounds weird, right? France has always been good at accepting intellectuals and culturally rich tribes and people from all over the world. Over the years, this has formed the very basic structure of French music. In case, one is really into world music, they will find some resemblance from Latin America, Asia and even African sounds in French music! That is truly a rich and diverse form of French Music.

Modern day France though has slightly shifted from the folk and classical versions of the same and has brought some pop and hip-hop French style beats into the culture. Yet, the real music of France resides in the classical and folk music.

French Classical and Folk Music

Purists attribute the beginning of French classical music from the sacred tunes of the Roman Catholic Church. History has it that the world famous French opera was first identified as classical music in the year 1646 performed in Carpentras. That was also the beginning of the French Opera! The great French musicians were also adept at composing ballads and songs of love that has this classical touch in them. Though they experimented with the classical fusion music by adding some ingredients of the folk music, purists preferred to stay with the original classical form which eventually became popular throughout the world!

The 19th century in France is heralded as the romantic era in the history of French music owing to the lot of passionate and romantic films released in that period. In the later half of the 20th century, some outstanding foreign composers had a major impact on Frances romantic era and that transformed the classical romantic era of music in France like no other.

Though, there are folk musicians in modern France, they have been sidelined to the mountainous region or even Corsica. You can on request find shows in Paris that cater to the tourists when they demand some folk music. All in all, modern French music still takes inspiration from the folk tunes! The most apparent usage of folk music is seen in the techno beats where the mixers take some part of the original French folk music, add some fusion beats and come out with a very hip hop kind of tune! Western France and the island of Corsica have been the major torch bearers of folk music and dance in France.

Moving over to the French classical music again, it bears close resemblance to Indian and Japanese classical and traditional music (read: notations) respectively. It is considered to be a less followed path but a more soul stirring music and hence is renowned, the world over. French music is really something to enjoy and cherish, especially if you have grown tired of loud music!

For more information about French music, visit Plume-Noire.com.

Music of the Holocaust

Music of the Holocaust

Handle’s Messiah, Bach’s Magnificent, Beethoven’s Ninth Symphony, Brahm’s Lullaby are but a few of the common classics that are of German origin.

Hitler used musical heritage to promote Aryan superiority. This meant Hitler’s perfect race, blonde hair, blue eyes, well formed and strong. Music and art shaped German political policies and cultural atmosphere. Any written compositions by Jews were banned and it became against the law for artists and musicians to perform unless they became a member of the state sanctioned Reichsmusikkammer (RMK), and anyone who broke the law would be arrested.

The Aryan culture was created by many artists and musicians that were governed employees. In 1939 RMK leaders spoke of the elimination of the Jews from the cultural life of people. Jazz was considered to be “non-Aryan Negroid” and was banned. Radio stations were controlled and censored, and only nationalistic music was allowed. All other music was prohibited and labeled “entarte” or degenerate.

Songs of the Ghettos and Camps :

Ghetto songs had three major purposes: documentation of Ghetto life, a diversion from reality, and the upholding of tradition. The songs sung in the Ghettos showed the will to live, sing and even laugh. The Ghetto had its street singer, its coffee houses, teahouses, beggars and madmen. A popular tune said to be written by a beggar said, “Me hot zey in dr’erd, me vet zey iberi’ebin, me vet hoch deriebn,” which means; “to hell with them, we will survive them, we will yet survive.”

When it came to hating the enemy, laughter was a way to channel it. One person or a small group of people would perform Ghetto songs, with an accompaniment of a single chord playing instrument, a small band, or an orchestra.

Songs of the Camps:

At the five extermination camps, Nazis created orchestras forcing prisoners to play while prisoners were marched to the gas chambers. The suicide rate was the highest in the orchestra players than most other camp workers. The musicians where forced to watch as family and friends where sent to be killed. Auschwitz had six orchestras with one containing 100-120 musicians. A woman named Fania Feneion, a member of a woman’s orchestra in Auschwitz, stated that even though she had clean clothes and daily showers, she had to play “gay, light music and marching music for hours on end while our eyes witnessed the marching of thousands of people to the gas chambers and ovens.” Anita Lasker-Walfisch was able to survive Auschwitz by playing in the women’s orchestra.

Terezin:

Hitler created a “model camp” in Czechoslovakia called Terezin. This concentration camp was made to mislead the world about what was happening around the other camps and Ghettos. The cultural life at Terezin was very rich because all the Jewish artists and musicians were sent there. This made it look as though the camps where just a re-settlement area and the Nazis were treating the Jews very well in the camps. The conditions in Terezin were no better than in most of the other camps. For most prisoners, Terezin was just a transit camp on the way to Auschwitz.

Music of the Third Reich:

The Nazi regime had certain standards which had to be defined as “good” German music. Musicians had limited freedom as the Nazis attempted to create a balance in the creativity of music to please the German people.
Three of the restrictions when regarding musician and artists where:
1. “Loyal Nazi members who were talented musicians were guaranteed a job.”
2. “Loyal Nazi members who were not talented musicians were not guaranteed a job.”
3. Any non-Jewish person who demonstrated a “genius’ for music and was a member of the Reichsmusikkammer (Reich Music Chamber) was permitted employment. This exception policy permitted musicians like conductor Wilhelm Furtwangler and composer Richard Strauss to continue working.
Three master composers that represented good German music were Ludwig van Beethoven, Richard Wagner, and Anton Bruckner according to Hitler and his second man in command, Goebbels.

Music in Response to the Holocaust:

Music in Response to the Holocaust can help us to understand the tragedy of this event. Composers experimented with many musical forms and where included in memorials. There where to sides to the music: dark and light, and faith and hope and all where very personal and helped to expand our understanding of the Holocaust beyond words.

Songs Written About and In Remembrance to the Holocaust:

Karl Berman, Terezin. Terezin was written by a Holocaust survivor who arrived in the concentration camp in 1943 and participated in many musical performances there.

Michael Horvitz, Even When God Is Silent. This dramatic and chilling song was written by text found on a wall in Germany by someone hiding from the Gestapo.

Oskar Morawetz, From the Diary of Anne Frank: Oratorio for Voice and Orchestra. This song was written by the test from the Diary of Anne Frank.. It is a tribute to the courage and nobility of the human spirit.

Arnold Scholenberg, A Survivor From Warsaw, 1947. This is a true story about a survivor from the Warsaw Ghetto. This song was written using a twelve-tone technique which the Nazis banned, and the narrator is to half sing and half speak the story. It is six minuets long describing a moment of the beginning of the Warsaw Ghetto.

William Schuman, Ninth Symphony or Le Fosse Ardeatine. Schuman wrote this piece to commemorate the slaughter of 355 Jews, Christians, and Italians in the Ardeatine caves. “I saw the cave and thought about all the people buried there and their lives. I’m a foe of forgetting.”

Article Source: http://ezineseeker.com/?expert=Liz_A_Wright